With his new opus CREVIN, Debmaster, both inspired and inspiring, gives a kick in the ass to “Dancefloor” music. In continuation with Crev’ Sessions (under ex-label BriEfcAse Tockers), CREVIN presents itself today as the fermata of Crev philosohy, a philosophy for which Sammy Stein offers a definition through the cover he drew. Dirty and stubborn hip-hop beats tinted with arpeggic bleep bleeps for a dark yet dancing result. CREVIN is falsly awkward, a worked looseness, the antonym of Swag. It’s a definite nod of the head for the fine amateurs of hip-hop and electro, but also for all the lovers of off-the-wall nights, where sweat mixes genres in a quest for shared discovery. Because CREVINis eclecticism at its foundation and the promise of a blissful marriage of several horizons, for the better and for the worse.
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